Diving into the SXSW film line-up
Sirāt review – aĀ truly staggering, major film
Daniel Blumberg: ā€‹ā€˜The ingredients were there to make something special and unique’
Amanda Seyfried: ā€˜This movie has changed me’
The Testament of Ann Lee review – expands the possibilities of filmed biography
Reprise and the search for authorial integrity
In praise of crying at the cinema
Mona Fastvold: ā€˜I’m always searching for the perfect choreography between the camera and the performer’
Splitsville review – lacking on romance and comedy
If I Had Legs I’d Kick You review – rages with true catharsis
What Wasteman shows us about the reality of prisons and the potential for abolition